I approached this
recent Sibelius 'White Box' from Naxos with great excitement after
previously enjoying the single disc release of its 4th and
5th symphonies. The eight initial releases in this White Box
series contain some real delights and a few duds. This Sibelius set is
very much representative of the former.
Naxos
has recorded Sibelius symphonies before, and with some success. But if
truth be told, the early Adrian Leaper/Slovak Philharmonic recordings
are no match for the interpretive insights of Finland's Petri Sakari
and the sophistication of his Icelandic band.
The
set contains all seven symphonies, incidental music to The Tempest,
and the early choral symphony, Kullervo. With the exception of
some intonation problems in The Tempest, the standard of
performance is uniformly high. The recordings were made in two
different locations - the unity in sound throughout all recording
sessions is quite exceptional.
The
Kullervo symphony is the recorded exception, and is performed
by conducting teacher extraordinaire, Jorma Panula, a soprano and
baritone soloist, and Finland's Turku Philharmonic Orchestra. Both
orchestra and soloists are very good, although the orchestra is not
quite in the Iceland Symphony's league. Kullervo is definitely
from the Finlandia copybook and extols the nationalism that
Sibelius was feeling at the time. In fact, it was this work that
placed Sibelius in the forefront of Finnish musicians. Finlandia
rubber-stamped his reputation.
From
the well-written notes, it seems the first performance of Kullervo
was a great success. If it was anything like the excellent performance
here, I can hear why. The Turku musicians have the piece in their
blood and the fervour and predisposition to the style shows. With the
exception of a long ago hearing of Paavo Berglund's Bournemouth
Symphony performance, I have nothing with which to compare. For about
six bucks for the disc, how could you go wrong?
The
meat of this set is the magnificent seven symphonies. Listening to
them in order was enlightening, exciting, profound, heartbreaking, and
ultimately uplifting (even with the 'indifference' of the final 7th
closing enigmatically). Petri Sakari has a unified approach to all
seven works - no undue effects, adherence to the marked tempos,
well-balanced orchestration, solos that are allowed time to unfold
naturally, rhythmic integrity, and the patience to see the pieces
through. The Iceland Symphony and Sakari, not mainstays of the
recorded world, have taken their daunting task very seriously and have
trumped several famous (and much more expensive) sets. A wonderful
achievement!
Along
with this budget set, try Maazel (London), Barbirolli and Berglund
(both EMI) -- all have sublime thoughts on this magnificent Opus.
Ownership of just Sakari's set would not get you thrown out of the
Sibelius League, but the purchase of it, in addition to one or more of
the sets mentioned, would give the Sibelius admirer balance enough for
a true appreciation of the music. Moreover, these sets will allow the
listener to hear the glorious present and past of recorded arts, and
the time to sit back and admire superbly executed orchestral music.
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