The Bruckner and Mahler
avalanche continues. I must have been among the apparent few happy
with available options even at the end of the analog era. Now that we
have dozens of performances of Bruckner's most popular symphonies,
'tis a puzzlement who's buying them all. Really, the classical
recording industry has ratified redundancy in recent years,
particularly the major labels. Yes, we know conductors' contracts are
partly, maybe principally, to blame. We know, too, that every
conductor worth his hiking boots has to conquer these Alps among
symphonies. Nevertheless, enough.
Furtwangler, Klemperer,
Bruno Walter, Karajan, Jochum and Böhm said as much as I have
inclination to hear about Bruckner's Fourth. For those with insatiable
appetite and bottomless bank account, Salonen does OK by Bruckner,
underlining the Mahler/landler connections, and leaning more lightly
on the grandiosity than many (say Böhm and Karajan). Salonen
seems to actually luxuriate in the valleys of this work, rather than
hastening on to the heights. The recording helps, with the
brass-dominated chorales sounding quite inoffensive for digital. On
the whole, I was impressed, but hardly overwhelmed. Which is something
less than it will take, in the face of the above competition, to
justify adding this Bruckner Four to my permanent collection.
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