It is rare that an
individual becomes synonymous with his art. The name Houdini has come
to mean the ability to escape the impossible. Astaire is
Hollywood dancing. Certainly, one can not think of jazz harmonica
without thinking of Toots Thielemans. With his new CD, Chez Toots,
Thielemans shows us why he is a jazz legend in his own time. There is
an intrinsic simplicity to Thielemans' music. A beauty that doesn't
need a lot of notes to be understood. The selection of French music on
this album provides the perfect vehicle for his sense of melody.
Somehow, he creates a mood where the listener feels drawn into the
music, yet separated by his own imagination - much like an
impressionist painting where subtly and suggestion create a whole.
Born in Brussels in
1922, Thielemans and his family fled to France during the Second World
War. In 1947, he moved to the United States, where he quickly became a
fixture on the jazz scene, playing with such people as Benny Goodman,
George Shearing, Charles Parker, Bill Evans, Peggy Lee and Oscar
Peterson. Millions of children grew up listening to the harmonica of
Toots Thielemans on the Sesame Street theme.
Chez Toots,
features seven guest artists: Diana Krall, Dianne Reeves and Chip each
perform a song in French, while Johnny Mathis and Shirley Horn elect
to sing in English. Danish guitarist, Philip Catherine, contributes an
original composition, Dance for Victor, dedicated to the late
pianist, Victor Feldman. The tune blends elements of Feldman's style
while remaining true to the overall feeling of the album. The great
accordionist, Marcel Azzola, is featured on the opening and closing
tracks, both recorded live at the Hollywood Savoy Café, Paris.
While there is a
perfect balance between vocal and instrumental selections, the vocals
seem to provide some of the most memorable moments. No album of French
songs would be complete without La Vie En Rose. After a brief
piano introduction, Toots states the familiar theme. Enter Diana
Krall, who gives the tune a reading that would make Edith Piaf smile.
Hymne de L'amour (If You Loved Me), features Chip on vocals
and is a welcome introduction to this relatively unknown singer.
Johnny Mathis is featured on the Michel Legrand masterpiece, The
Windmills of Your Mind. His rendition has an urgency that is
breathtaking. Mathis takes on the role of a modern Don Quixote,
singing a soliloquy of uncertainty.
Toots' haunting
composition, Old Friend, is a definite highlight. With obvious
shades of Gounod, the haunting melody seems to soar above a horizon
created by Bert van de Brink's piano and Frank Engelen's perfect
string accompaniment.
Through the magic of
modern recording techniques, Toots and the rhythm section recorded
their tracks in Paris while the various guests recorded later in
Hollywood. Despite being recorded on two continents, the CD has a
remarkable consistency of sound and style. Congratulations to producer
Miles Goodman, who unfortunately did not live to see the project's
completion. The same rhythm section remains throughout the album, and
while only the pianist, Bert van den Brink, is often featured, it is
the bass and drums of Hein Van de Geyn and André Ceccarelli
that help the music flow smoothly from one track to the next.
I am troubled by one
aspect of the recording. Several of the tracks fade out rather than
having prepared endings. There is something about the recorded fade
that leaves me feeling slightly snubbed, as if there is more music,
but I'm not allowed to hear it! Live music rarely fades and I feel
recorded music should follow the same rules.
Chez Toots
portrays a French mood that is unmistakable. There is a friendliness
and a beauty to the album, a mood that draws in the listener and won't
let go. Yet, there is a distance to the music; something keeps you
from getting too close. To me it suggests looking at a rose behind a
pane of glass. Perhaps that's the album's hook? However, the music is
perfect and there's nothing left to do but sit back, close your eyes,
and enjoy!
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