London — March 3, 2015. Today, the British classical press and classical music fans went apoplectic. Yes, after weeks of a building wave, Sir Simon Rattle has accepted the position of Music Director of the renowned London Symphony Orchestra from 2017.

Rattle, now 60, first conducted the orchestra not long out of his teens. The LSO has been wooing him ever since his announcement last year that he was leaving the number one job in classical music, Music Director of the Berlin Philharmonic.

So, what does this mean for London? A few very good things in the near future and a big one some years down the road. As well as being a very fine conductor, certainly England’s best, Rattle is big on youth/community music. He dragged the Berlin Phil kicking and screaming in that direction. His initiatives have proven a great success. The LSO already does marvellous community outreach. Rattle will encourage even more. More importantly, he’ll work for better conditions for his new band. Fewer tours will be number one. The orchestra tours far too much.

As for the new hall that Rattle wants for his orchestra? A feasibility study has been commissioned. The new hall will come, that’s a certainty. Not only does London need one, it deserves one. London’s track record with halls has been dreadful. Barns with no atmosphere and awful acoustics.

So, a great day for London music. And for its future.

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Recently, while reviewing the Sprout by PS Audio, I borrowed a pair of Alta Audio’s new small Solo speakers to match with it, and discovered that they were a remarkable fit. Since then, I continued to be very impressed with the Solos as entry-level but audiophile quality speakers. I thought a review was in order.

One nice thing I learned from my Sprout review was that we audiophiles need to bring our feet back down to earth from time to time so that we can evaluate quality in a broad sense, gain balance and have relevant reference points. If all we drink is Chateau Margaux everyday, how can we learn anything new and how can we possibly develop an extensive and useful evaluation tool kit? Just as there are fabulous inexpensive wines out there—and hunting them down, drinking them and enjoying them is a crucial part of being a true oenophille, the same is so for the audiophile.

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Designed by famed Dane Cecilie Manz, the BeoLit 15 by Bang & Olufsen is a compact wireless speaker system with Bluetooth connectivity and ‘AirPlay’ support. It has an aluminum body featuring 4 active drivers and 2 passive bass radiators, driven by dual Class D amplifiers.

B&O say that it has ‘Excellent engineering and the unique True360 sound solution ensure your music sounds great, wherever you place Beolit 15. And, with 240 watts of peak power, there is enough sound to fill even larger rooms - and plenty of power to get the party going.’

A cute lunchbox, a party machine and 24 hours playtime on a single charge. What are you waiting for?

Comes in three colours. $599.00

More at the Bang & Olufsen website.

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Anton Bruckner: Symphony No. 4 (1878/80 version)
Pittsburgh Symphony Orchestra/Manfred Honeck

Reference Recordings FR-713SACD (66:05)

This is the third offering from Austrian conductor Manfred Honeck, his Pittsburgh Symphony Orchestra and Reference Recordings. Reference, long the house sound and domain of Prof. Keith Johnson, is sharing out recording duties these days on its ‘Fresh’ label. The team at sound/mirror has been entrusted with stamping their own form of brilliance on Reference while maintaining the almost impossible standards set by the Professor.

Each Fresh! release gets better. The entire team — players, conductor, recording company, engineers, all seem to be finding their groove. And, in this new Bruckner 4, the team has captured something quite special.

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Sprout is the brainchild of the young passionate audiophile Scott McGowan, the son of PS Audio CEO Paul McGowan. It is a new stereo integrated amplifier that he designed, partly motivated as a way of bringing into the high-end fold a younger generation of music lovers who for the most part are typically viewed as only listening to music in MP3 format on an iPod, iPhone and with headphones.

Another motivation was to make quality modern audio equipment accessible and simple for the average person (of any age)—and without having to take out a mortgage to do so. In one small box—only 6” W x 8” L x 1.75” H and weighing in at only 2.9 lbs—Sprout contains a remarkable array of well thought out high-quality audiophile goodies.

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Mussorgsky — Pictures At An Exhibition; Schumann — Fantasie Op. 17 [64:43]
Paul Lewis, piano
Harmonia Mundi HMC902096 (2015)

Paul Lewis is the British classical pianist who has been taken to heart by international piano fans. A rare feat for a British pianist. Not since Solomon and Sir Clifford has a Brit been hailed as a ‘giant’. Sure, lots of great ivory bashers, but any geniuses? No.

I’m not suggesting that the thoughtful, über musical Lewis is a genius, but his interpretations of the great Classical repertoire have been resonating with musicians, concert goers and critics. I reviewed his Toronto recital debut some years ago. Schubert Sonatas. Incredible. Not only does he have a very fine technique, but there is so much thought, care and scholarship that make up his interpretations. He creates exquisite sounds, too.

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Recently, my friend and Audiophilia colleague, Karl Sigman reviewed the Mojo Audio Mac Mini server as well as the Joule V power supply. I joined him in the Mojo Audio room during our trip to the Rocky Mountain Audio Fest. It was my first meeting with the Mojo’s very enthusiastic owner, Benjamin Zwickel.

We spent a considerable amount of time in the Mojo room discussing Zwickel’s design goals, design philosophy and listening to his very interesting music system. He has some very interesting and quite strong views and opinions concerning digital music reproduction.

Zwickel had been modifying and upgrading power supplies for computer systems for many years before starting Mojo Audio. The current line of Mojo’s power supplies is a direct result of this experience. In addition, Zwickel’s many years spent modifying the power supplies of vintage audio components contributes greatly to the current line of the company’s products.

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The American guitarist Bill Frisell has been a favorite guitarist (and musician and composer) of mine for many years, but something very recent in his repertoire from his newest album ‘Guitar in the Space Age’ (2014) tweaked my imagination and led me to realize something special about him that I had never given any thought to before: His talent for taking a classic American hit (pop/folk/etc.) from the late 1940s, 1950s or 1960s and replacing its vocals/lyrics with his extraordinary jazz improvisational guitar playing. Guitar as vocals. The track in question ‘Turn, Turn, Turn’, with its rich history going back to the legendary folk singer Pete Seeger who, in 1955, used lines from Ecclesiastes as lyrics.

This is not a new idea in general for jazz musicians. Frisell, however, is unique in his way of doing such things for several reasons. He is not trying to be controversial, he does his versions using classic ‘Americana’ as his specialty (mainly taken from acoustic folk/country music), and his guitar-playing style is deceptively simple in the way he strips things to their bare essentials while conveying the emotional content and complexity of the music. Also, he adds a kind, gentle aroma as a unique embellishment. He is also one of the first to use jazz guitar as a solo instrument; analogous to the way that (say) the saxophone evolved. Frisell uses chromatic improvisation and does it uniquely. As such, his playing is easily recognizable.

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