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A restless night last month directed me to grab my iPhone for an email check. 4:30 a.m. A natural selection, of course. Atop my Inbox, a very pleasant review request from Meze Headphones. A perfectly timed email closest to the dawn.
There are times when the sound quality of one’s audio system exhibits significant improvement due to an upgrade of a component and no one would question why. Main examples are the upgrade of speakers, amps, or digital-to-analogue converters (DACs)—all of which I have gone through over the years.
It feels invigorating to get your long held audiophile pre conceived notions smashed to smithereens on occasion. This was such an occasion. Three weeks earlier, it felt as though I was knocking on the door of a very cool house party location. The host answered and looked at me with surprise. 'Actually, the party's just winding down'.
The HD6 is the latest powered speaker from Audioengine, the company founded by two young American audio entrepreneurial dynamos, Dave Evans and Brady Bargenquast. I've been impressed with Audioengine's digital products and speakers from its startup over ten year's ago. In the here and now, I'd call today's Audioengine a 'modern legacy' company.
The experience of sitting on your couch while holding an LP cover/insert in your hands while the LP is playing, and reading about the details provided is such a precious one. You can learn or remind yourself who played the instruments and/or sang vocals on each track, some history perhaps of the musicians, when it was recorded and where, and possibly more. CDs can offer some of the same if there is an insert.
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I sent a message to our own Harry Currie, the world’s foremost Sinatra scholar and an incredible singer in his own right, requesting an almost impossible task, at least for him. It’s only that I’ve known him literally my whole life (plus a little begging) that he concurred. For Harry, compiling a Ten Best list of Sinatra recordings is akin to asking him ‘who’s your favourite kid?’.
Just when I was about to begin serious listening for a serious review of Rega's moving coil Apheta phono cartridge, I got the news a 2nd generation was ready to go. Usually, these generational upswings are gentle, akin to composers changing a few notes here and there to stretch copyright length. But the buzz on the new Apheta 2 was different. Big changes. I'd wait.
I've been a big fan Jeff Rowland's audio gear for many years. Rowland's solid state amplification has always been a segment leader featuring smooth, detailed and powerful sounding products highlighting the best that solid state design can bring to the high end. If you have researched a solid state product to purchase over the past few years, I'm sure a Rowland audition was scheduled.
This is the new DG double album in the Andris Nelsons/Boston Symphony Shostakovich Symphony series, subtitled 'Under Stalin's Shadow' including Symphony No 5, 8 and 9 with the Suite from Hamlet thrown in as a substantial filler.
This sub $1300 moving coil from Denmark's Ortofon is the entry level model of the 'Cadenza' colour series. Ortofon also offers a very popular colour series for its moving magnet cartridges. I had a chance to listen to the Cadenza Red at length on two different turntables, the Bergmann Audio Magne Turntable and the Rega RP8.
Just when you think there are no pure baritone, jazz influenced singers to entertain with quality, original material, along comes Gregory Porter. Porter was the 2014 Grammy Best Jazz Vocal Album winner with Liquid Spirit. He is also blessed with a magical baritone, full of emotion and power, but also light and shade.
Here is the 9th and latest album from Radiohead. Typical of new Radiohead recordings, A Moon Shaped Pool was self released to the internet on May 8, and will get a full rollout on CD and LP in June. Although not my regular musical beat, I have come to admire the British group's innate musical style and technical accomplishments. And as they grow together, their music becomes even more contemplative and profound.
I love a happy ending. I've very much enjoyed the musical Renaissance of this fine orchestra after the decades long systematic destruction of its host city and a near calamitous strike in 2010. I wasn't sure the orchestra would survive the much reported strike. Many fine players left the orchestra, welcomed by sunnier climes both musically and temperate.
The very fine British pianist Paul Lewis turns his gifted views on one of the cornerstones of the piano classical literature, Brahms' First Piano Concerto. The work is full of youthful ardour and genius. It was intended as a symphony, but Brahms thought it a little under the shadow of Beethoven. So, a concerto was produced.
Recently I had the pleasure of attending, here in New York City, a live early on rehearsal performance of the Beethoven Late String Quartet in B-flat Major Op. 130. (Sometimes referred to as String Quartet No. 13.) One of the members of the performance is a friend, Daniel Panner—a very fine violist, and the setting was intimate (no stage) with only about 15 people attending. It was delightful to be so close up without any amplification or microphones required, and to be able to meet and chat with the musicians right afterwards. No high-end audio system can compete with that.
I first heard Norwegian violinist Vilde Frang in a 2015 recording of Mozart Concertos. I quickly became hooked on her gorgeous tone and exquisite musicianship and have followed her career with interest ever since. Frang’s playing has an honesty and simplicity that allows everything she plays a fresh perspective, free of artifice and the histrionics that other, maybe more technically gifted players project into the music.
VPI Industries, well known for its extraordinary turntables, linked up with Steven Leung from VAS Audio to remake a modern and simplified version of the classic vintage H.H. Scott 299D integrated vacuum tube stereo amp (1964-1966). Enthusiastic as ever, Leung mentioned to me recently by phone that he had acquired several modified vintage Scott 299 models a while ago, and they sounded so nice to him and VPI that they decided to proceed with their own high-end modern version.
I knew that as soon as The Prodigal Son returned, at least in Elgarian terms, the Brit press would be gaga over the spoils. Daniel Barenboim, the Son, had a love affair with Elgar symphonies along with the excellent LPO, and the less excellent CBS, as recorder, back in the 70s and 80s. The press loved everything, even the recording quality. The recorded sound was awful. If you collect Columbia vinyl recordings of the time, especially from London and New York, you’ll know what I mean.
For many years, audiophiles who had space constraints, WAF or other issues, were forced to contend with small stand mount or 'bookshelf' speakers. These speakers often were capable of good sound and usually had a superior ability to float a very good soundstage. On the other hand, one had to imagine how much bass there was in a recording since lack of it was the major sacrifice.
