For those of you not familiar with vinyl Direct to Disc technology, think of it as cutting out the recorded medium middle man. New to me Berliner Meister Schallplatten explains the process as:

The recording is made onto a lacquer disc. With a galvanic process this lacquer disc is turned into an extrusion die. Every vinyl disc is thus an original copy of this recording. Because lacquer discs and extrusion dies are destroyed or worn out during the manufacturing and multiplication process, the pressed vinyl discs are ultimately the best possible reproductions of a direct-to-disc recording.

Lacking a storage process on tape or as a computer file, there are very short and direct signal routes. The instruments' sound waves are transformed into electrical oscillations by microphones, and cut into a groove on the lacquer disc by the cutting stylus directly and without any delay. Direct-to-disc recordings do without digitizing the music, and also without a lossy storage on analogue tape.

I usually write music reviews, especially classical, with my classically-trained hat on, commenting on performance, interpretation, comparables, etc. My audiophile nature kicks in at times and posts commentary in each review, for sure, but the main event is always the music.

For this review, it’ll be primarily about the sound.

What is the lover of classical music, Brahms, von Karajan, the Berliner Philharmoniker, and especially of reissue vinyl, getting from yet another version of their legendary performances? Karajan’s Brahms cycle was released originally on vinyl by Deutsche Grammophon in 1964. There were variations/pressings of the vinyl, both individually and in box sets, then on DG CD, followed by lots of different releases in that form. More recently, streaming, and now the limited edition vinyl reissue.

Seong-Jin Cho is the young Korean phenom who won the XVII International Chopin Piano Competition in 2015, joining such winning luminaries as Martha Argerich, Maurizio Pollini and Krystian Zimerman. A healthy ratio of winners of this particular competition go on to renown and legendary status.

Even though the 2015 competition was filled with very gifted pianists, Cho was the jury and audience favourite. He’s a very refined musician with a wonderful aesthetic and great technique. A worthy winner.

Recordings of The Nutcracker usually come thick and fast around the holidays. Orchestras and ballet companies have made fortunes performing the perennially wonderful music and telling the story. If only Tchaikovsky knew? And, what about Disney?

I usually bin the idea of listening to the ‘Suite’, be it Nutcracker or Firebird—both Russian fairy tales sound much better in their original, ‘full’ guise. As for ‘Suites’, composers and publishers like to cover every financial angle, Stravinsky, especially! As for The Nutcracker, there is so much glorious music in the full ballet, it’s the way I think it should be enjoyed. If you must have the Suite, The Royal Ballet Gala on RCA vinyl or Rostropovich/Berlin/DG on CD are the way to go.

As chosen by Audiophilia's Publisher,  Anthony Kershaw. 

Images link to Audiophilia review for your information. 

Available at most online sites. Reviews have to be published in Audiophilia during 2017 and the recording released internationally in 2017. Media and label noted under the image.

If you visit the top vinyl sales websites such as Elusive Disc and Acoustic Sounds among others, the quality vinyl lists are fairly similar. All the familiar suspects—RCA, Lyrita, EMI, Mercury, Blue Note, Argo, Decca—populate the must haves. And many fabulous reissues also are cross referenced (Testament, Speakers Corner, Classic Records, etc). 

I’ve been reviewing lots of cartridges and phono stages lately and have been deep diving into my vinyl collection to add a little spice to the reviewing process. 

I began the subject of this list in Vol 1 and continued with Vol 2 with individual record releases. We’ll continue with box sets that may or may not be famous, but should be in any audiophile’s collection.

If you visit the top vinyl sales websites such as Elusive Disc and Acoustic Sounds among others, the quality vinyl lists are fairly similar. All the familiar suspects—RCAs, Lyritas, EMIs, Mercurys, Blue Notes, Argos, Deccas—populate the must haves. And many fabulous reissues also are cross referenced (Testament, Speakers Corner, Classic Records, etc). 

I’ve been reviewing lots of cartridges and phono stages lately and have been deep diving into my vinyl collection to add a little spice to the reviewing process. 

I began the subject of this list in Vol 1.